Although the Kira is being worn without the top half which forms a front pouch the half kira is not immediately recognised because the woman is covered by a Tego, a traditional jacket, and a wonju, the blouse, above the waist. For most women who prefer to wear a half kira it is the comfort that matters. "It is easier and less complicated to handle," said a lady. "It is faster to put on and we can then afford a greater variety in colour and pattern." One expectant mother added that she is much more comfortable with the half kira in her state. The half kira trend is gaining popularity at a time when Bhutan is strict about the dress code and the national dress. According to a researcher, Sonam Kinga, who wrote an article, "Changes in Wearing kira"; people living along the border areas in late eighties started the trend of wearing half gho and kira because of the hot weather. The trend was picked up in other areas because of its convenience. Interestingly the half gho became popular only for a while with taxi drivers and truckers being the most users. It also comprised of two parts, upper and lower, but it couldn't be worn in the schools and offices. The half kira has also been a topic of debate, with some describing it as an infringement of the national dress code and others calling it an innovation. Ugyen, a shopkeeper said that people should not over look the value of our culture just because half kira is easily affordable. "It's a matter of culture and it cannot be bought with money," he said. "Or has our culture become so cheap?" While some find the trend very innovative some consider it a negative impact on tradition and on the future generations. "We have to show our ancient culture to the youth," said a driver. "With the increasing trend of wearing the half kira, how will they ever know that there once existed a tradition where women wore a kira, from the shoulder till the ankles." Many on the other hand, have a different opinion. They say that wearing a half kira is a way of promoting culture and presenting it to modern world. "We prefer to promote our culture with time rather than sticking to the past," says Tashi Chozom. "In the process of development, the half kira signifies the progress which increases our efficiency. Its comfort allows us to work better." A driglam namzha instructor, Tshering Penjor, said that there were no written rules on the half kira but it crossed the norms of dirglam namzha. "Driglam Namzha includes details of every part of the dress that we wear but when women wear the half kira some important tasks like wearing the koma, receiving a scarf and putting it into the pouch cannot be performed," He added that it was the existing rule to wear a full kira during important occasions like national day, attending a domche and tsechu, or places like dzongs, courts, lhakhangs, and formal occasions. As the half kira trend picks up blacksmiths say that they hardly get three or four orders for komas in a month. "It has lost its function," said Nado, a Thimphu blacksmith. The debate goes on. Some Bhutanese believe that the country is losing it culture. Others say that it is right on track.
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